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shot with white-balance set to tungsten, the camera overcompensates with
blue to remove assumed-to-be-present yellow light. on a cloudy day with no
yellow light the picture comes out blue

shot with white-balance set to
auto and using fill flash
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but these yellow tailings contain anything
but gold.
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typically pictures of moving
vehicles are shot so that there is more of the picture in front of the vehicle
than behind it. i.e. if the vehicle is moving to the left, then it's composed in
the right hand side of the picture i decided to break this rule so i could
capture the lonely sign just behind the truck. i like the compositional
violence created by breaking this 'rule'.


